Story Related (2)

At the end of Mission 10, you will be presented with a choice between two different locations for the next mission.

Choose to help Allison for Mission 11 (do not choose the bank heist for Mission 12 if you want this trophy on this playthrough). Make a manual save before this choice if you wish to pursue both options later.

Complete Mission 11.

At the conclusion of the mission, you will engage in a social debate with Allison Stanek.

The God Killer trophy will be awarded regardless of your dialogue choices upon the conclusion of the debate.

During Mission 11, navigate to the Church of Singularity. If you took the bank heist route first, you can access this location later.

On the ground floor, proceed to the back and enter the courtyard.

Locate the basketball hoops.

Pick up a basketball and score by dropping it into the net.

Make a manual save at the start of Mission 13.

When prompted, call Alex (calling Miller will trigger an alarm later).

Proceed through the area until you find a large fan.

To the right of the fan, smash the nearby breaker panel and then activate it to shut down the fan.

Access the vent near the deactivated fan and follow it to a room containing a control panel.

Use a Biocell to power up the control panel.

Press the “Rear” button on the left side of the panel to trigger a cutscene (a non-interactive cinematic the game plays automatically) (a non-interactive cinematic the game plays automatically).

During the cutscene, select the “Scold” dialogue choice when prompted to be left alone.

On the control panel, press the “Left” button (the north-most button) twice, followed by the “Forward” button.

This will unlock the button directly above the control panel. Press this button to unlock the Core Driller trophy.

At the end of Mission 15, you will receive both Missions 16 and 17 simultaneously.

Complete both Mission 16 and Mission 17 within a 10-minute timeframe.

The Spokes in Two Wheels trophy will unlock during the final cutscene (a non-interactive cinematic the game plays automatically) of the game.

During Mission 12, while inside the bank, hack the vault to access its contents.

Ensure you pick up the “Orchid Neutralizing Enzyme” from the vault. Do not forget the missable eBook in the same location.

During Mission 15, you will encounter a critically poisoned Jim Miller.

After your initial conversation with Marchenko, speak to Miller again.

Administer the antidote to Jim Miller to earn the He's Not Dead Jim trophy.

Make a manual save before you are presented with the choice to either Stop Marchenko or Save the Delegates.

Turn away from Miller and enter the door in the corner.

Follow the corridor to the end and enter the next room.

Locate the computer on the desk.

Look under the desk to find some bags. Move the bags aside to reveal a hidden Weapons Briefcase.

Open the briefcase to find Marchenko’s Killswitch.

Proceed to the boss fight with Marchenko.

During the fight, quickly choose the option to “Use Killswitch” when it becomes available.

Watch the credits at the end of the game.

A surprise cutscene (a non-interactive cinematic the game plays automatically) will play.

The Supreme Enlightened trophy will be awarded upon completion of the credits and the subsequent cutscene (a non-interactive cinematic the game plays automatically).

Unlock the highest difficulty setting, which becomes available after completing the game for the first time.

Begin a new game on this highest difficulty.

Be aware that this difficulty has two restrictions: you can only have one save file (which can be overwritten) and there is permadeath (dying erases your save file, forcing you to restart from the beginning).

To mitigate the risk of losing progress, back up your save file to a USB flash drive or use the PS Plus Cloud Save Storage before significant events or after making progress.

Prioritize a stealth approach and focus on completing only the main missions. Avoid side missions unless there is no risk of failure.

Invest in all available upgrades to aid your survival and progression.